The thirty-threes of sixty-eight

Radio Bob wandered in this morning with his latest $5 CD treasure, a compendium of Vanilla Fudge and Iron Butterfly--tasty. The music of 1968 was special for a lot of reasons, but most special because I was then 15 years old--an age when musical passion runs an inch wide but a mile deep, when there are only 3 or 4 decent bands in the world and the rest of everything is chopped liver, when you can listen to the same cut 15 times in a row, just because that screaming guitar lick is so freaking amazing.

My early adopter friend David stopped me on the street in the summer of '68 to pass along a brand new copy of In-A-Gadda-Da-Vida, Iron Butterfly's side-long rock extravaganza. I was about to hustle it home to fire it up on my crunchy portable, the one with the tone arm weighted down with a penny to grind the needle over the skips. David said, "No man--you gotta do this with headphones." I trekked up to the college library's listening booth and jacked in. And the world changed, or so it seemed.

But the world changes, and then it keeps on changing. Iron Butterfly just doesn't sound the same. I listen to '60s music still, but different music, and with a different ear. Less naïve perhaps, but also less engaged, less willing to be transported. I have the benefit of experience, and the deficit.

All in

No one imagined, when it was just an invitation to apply for funding, just how all-consuming the UpNorth Music project would become. 38 full days of recording in eleven communities, more than a hundred individual sessions, at least a thousand hours mixing and producing songs, interviews, broadcast features, podcasts. Designing and rebuilding the production studio, identifying, recruiting and paying artists, finding studio venues, planning a concert tour, mastering a compendium CD set, clearing performance and publication rights--a million details from remote broadcast setup to getting our new logo printed in frosting on a concert reception cake. Enormous big "ups" to production manager Joel Hurd and to project coordinator Jill Breit for all the sweat and blood.

It's all coming to a head tomorrow with the opening concert in the UpNorth Music Series at St. Lawrence University's Gulick Theater, and with the release of the project highlights in the 3-CD set Music Heard UpNorth. I've been working my way through the set with great delight. It sounds like the North Country--talented, inventive, diverse, quirky. The biggest surprise for me was that I thought I knew the musicians of the region, or at least the best of them. But on each CD in the set, there are at least half a dozen artists I had no idea were out there. Fantastic songwriters, monster instrumentalists, voices to make you cry. When NCPR takes on a project, I'm proud to say we go "all in." And the North Country, I'm proud to say, is full of artists who do the same.

If you can't pick up a copy at the concert tomorrow, Music Heard UpNorth will be available within a few days in stores around the region, and online via cdbaby.com. Or you can contact the station to place orders.